Editor’s note – digital special
What has changed is the format. Whereas two years ago most ‘production’ presses in our buyer’s guide were stand-alone digital with off-line finishing, today there is a wider range of hybrid presses combining flexographic print and converting units in-line with full color inkjet. And many of these are from the ‘traditional’ press manufacturers.
In addition, there are more options to retrofit existing conventional press lines with bolt-on or rail-mounted 4-color inkjet units, using both water-based and UV chemistries.
Other significant changes include more entry-level full-color digital presses, which give converters a lower-cost entry into 4-color digital printing.
We can also see in the last two years a real maturing of the digital press market, which partly accounts for the lack of apparent movement in digital color engine technology. These are no longer ‘beta’ systems, but robust production systems, driven by ever-more sophisticated front ends incorporating automated color management, variable data, step & repeat and tie-ins to automated invoicing and digital store-front systems.
And all can be seen and compared at Labelexpo Europe in September.
Read the updated L&L Digital Press Buyer's Guide in L&L isse 3, 2017, and here
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