Gallus completes ‘digital-first’ strategic transformation
With the launch of the Gallus Five at Labelexpo Europe 2025, Gallus completed its transition to a ‘digital first’ strategy.
The launch of the Gallus One (G1) digital press in 2022 marked a major strategic shift toward digital from a company best known for its high-end conventional presses.
The Gallus One was not Gallus’ first venture into digital, of course. The LabelFire hybrid press, built on the ECS flexo press platform, was launched in 2015. But the LabelFire was very much subsidiary to Gallus’ conventional flexo and offset
press programs.
The development of the Gallus One marked the start of the company’s move to a true ‘digital first’ strategy, a change conceptualized and driven by Dario Urbinati, CEO of Gallus Group. Urbinati became CEO in December 2022 at a defining moment for Gallus, with the conclusion of the proposed Benpac transaction and a renewed focus on strengthening Gallus’ role within the Heidelberg Group.
‘When I returned, we had to figure out how to move forward,’ recalls Urbinati. ‘Gallus was quite simply not functioning sufficiently, and not because the people were wrong, but because the system was not working anymore. My biggest concern was that Gallus had somehow become irrelevant as a company.
'The first thing that needed to change was the internal culture. ‘Gallus was very hierarchical. Today, it is a flatter structure. I do not feel like an “outside” CEO with a closed-off office. In the early days, I moved my desk to different departments to
engage with our employees.’
A key priority for Urbinati was strengthening strategic alignment within the Heidelberg Group, fostering even closer collaboration and a shared momentum. Gallus benefited from extensive support across Heidelberg, particularly in digital technologies, as the group advanced its broader digital transformation strategy.
“At a high level, I no longer want to talk about machines, but about modules, about different building blocks which can be combined”
Urbinati put together a VIP sounding board, including both large and small customers, and asked what was important to them. ‘This gave us the baseline for thinking about what technologies we needed to develop.’
Inkjet first
Urbinati saw inkjet as the ‘technology of the future’, with the greatest potential for development.
‘By 2021, inkjet was on the same point along the technology S curve as flexo in terms of productivity, print quality and speed. Now digital has surpassed flexo in terms of total cost of ownership (TCO), makeready and “coolness”.’
Urbinati points out that 80 percent of label jobs are under 10,000 linear meters, benefiting the TCO case for inkjet technology.
‘Having made the decision for inkjet, I had to reset the company, and this was at the center of the development of our new product range. We needed to become a primarily digital company. The most important thing was to explain to our employees and stakeholders why we are doing this, and to formulate it into a strategy. It has changed the whole culture of the company. People now understand the new direction and why it’s necessary, and their part within it. This alone creates its own energy.’
System to Compose
Urbinati sees inkjet as one module in a wider hybrid ecosystem, which the company calls System to Compose.
‘Digital does not solve every problem, and not everything can be, or should be, digital. There will always be a place for flexo, where there are certain color gamut requirements or where certain substrates are specified. But for most applications, a hybrid configuration between flexo and inkjet provides the most flexibility and lowest TCO.’
The System to Compose is built around the Gallus Labelmaster platform. The Gallus One was the first digital building block and was designed in compatible widths of 330mm and 430mm (13in and 17in).
The Gallus One is a 7-color UV inkjet engine (CMYK+OVW), imaging at 1,200 DPI native resolution and printing at speeds up to 70m/min (229ft/min). The Gallus One can be combined with any module from the Labelmaster range, either specified from new or retrofittable in the field.
At Labelexpo Europe 2025, Gallus extended the modular System to Compose ecosystem with the Gallus Five (G5), designed for higher-volume workflows and with a new energy-efficient LED-UV curing system.
Once again, this is built on the Labelmaster platform, allowing ‘almost limitless’ combinations of digital and analog modules.
The Gallus Five is available in 330 and 430mm (13in and 17in) widths and uses the same 1,200 DPI imaging system as the Gallus One, but increases speed to 100m/min (328ft/min) using Heidelberg’s Saphira UV05 LED-UV ink set. The 6-color configuration (CMYK+OV) covers around 95 percent of the Pantone Plus V4 color library.

Gallus’ new SDC Pro semi-rotary die-cutter was also launched
at Labelexpo Europe 2025. It is fully compatible with System to Compose and operates at 100m/min.
The Gallus Five press at Labelexpo Europe was configured with two flexo units before and after the digital print engine, rail-mounted cold foil and lamination units and the SDC Pro die-cutting module.
Modular future
‘At a high level, I no longer want to talk about machines, but about modules, about different building blocks which can be combined,’ explains Urbinati. ‘When we asked customers about their use models, they said “we want to be able to change modules as our business changes”.’
Urbinati says most printing machines today are like ‘small
factories within a factory’, with boundaries defined by software, operator training and tooling across different machines. These ‘museums of different brands’ are complex and expensive to manage, difficult to automate and with little effective redundancy.
‘With System to Compose, the printer tells us which printing
and converting blocks they require, all with the same operating platform. If you have a digital press, you can add a compatible flexo station and go straight into production with the same operator. This is a different way to think. You then have redundancy within the plant, with the ability to move jobs between presses.
‘We have seen customers with existing Labelmaster flexo presses retrofitting digital, and customers who started with a G1 press adding Labelmaster flexo modules. In some cases, customers have used the System to Compose to build off-line processing units for standalone digital presses.’
The longest hybrid press sold by Gallus so far is 34m (111ft) long, built for special applications.
The future
In conclusion, it appears Urbinati’s vision of ‘turning round the
oil tanker’ has been a success, with around 60 percent of Gallus’ turnover now coming from inkjet-led System to Compose modular press sales, both from existing and new customers. ‘We have almost doubled turnover over the last four years,’ says Urbinati.
Urbinati says Labelexpo Europe 2025 was by far Gallus’ best show to date, despite issues with the air conditioning in Hall 3. The company sold 10 G5 presses directly off the stand.
“Digital does not solve every problem, and not everything can be, or should be, digital. And there will always be a place for flexo”
Looking to the future, Urbinati believes there are several ways
the supplier side of the industry can further reduce complexity for the label converter. For example, cutting down on the bewildering range of substrates label converters have to manage and standardizing the exchange of production data.
‘There is a lot of scope for the labels industry to agree on
standardization measures for the seamless two-way exchange of production data. As an industry, we need to sit down together and discuss standards for data exchange and open networks, so everybody uses those standards. For example, we have Bluetooth, which works as a standardized way to transfer data across multiple brands and tools. Maybe we can create a way forward for the printing industry by applying the same mindset? We also need to discuss how to transfer data in a safe and secure way to fight against cyber attacks.’
Aligned with Heidelberg’s Prinect workflow system, Gallus also supports other industry-standard MIS and workflow platforms, ensuring broad compatibility across the market.
‘Integration should be straightforward. Our aim is to make Gallus presses easy to adopt within any professional workflow environment.’
Alpha inkjet press
While System to Compose builds on long‑established in-line working models in the label-converting industry, most existing digital installations use standalone digital presses with near-line converting.
‘We believe in-line has a lot of benefits, but for those converters who want to work with off-line finishing, we developed the Alpha roll-to-roll press, which we launched in Barcelona,’ explains Urbinati.
The Gallus Alpha is only available in a 340mm-wide roll-to-roll configuration. It offers a native resolution of 1,200 DPI in five colors (CMYK+W) printing at 65m/min.
Urbinati insists this is not an ‘entry-level’ press, but rather a gateway into the wider System to Compose ecosystem. ‘It is either for a customer with an existing off-line workflow, or someone entering digital printing for the first time.’
Inkjet vs offset
One of Gallus’ most successful legacy presses was the intermittent offset TCS 250, which found a niche particularly in the short-run, high-quality wine, food and spirits sectors.
UV Inkjet has found it difficult to replace offset because of the inherent glossiness of its inks in a market that values matte design themes.
Urbinati believes that Gallus’ MatteJet technology now enables UV inkjet to compete directly in these kinds of offset applications. MatteJet changes the optical appearance of the inkjet dot, reducing direct reflections to give the appearance of a matte finish.
‘The purpose of MatteJet is to bring inkjet closer to offset in terms of print quality and perception, and we are very, very close with this module. We are now having these discussions with printers who are committed to offset.’
MatteJet is currently available only as a System to Compose module for the Gallus One.
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